詩經˙小雅《斯乾》篇：「如跂斯翼，如矢斯棘，如鳥斯革，如翚斯飛，君子攸躋。」 端看外立面，氣魄宏偉，嚴整開朗，色彩絢麗，這便是唐朝「唐風」的魅力。它刻畫的不僅是固定的人、物、象，還隱喻著古老中國千年的生活藝術：既看的到別人的光芒，也信仰著自己的力量。而在前廳部分，「一個承載著中華古典建築精神和氣質的斗拱裝置，用‘小山’做烘托，將傳統美學交織於現代設計里」， 設計融入飽滿的東方意蘊，以唐朝建築文化為精神藍本，呈現歷史與現代。沙盤區區域，我們將天地自然里永不變的物象以及古老藝術，化成符號。沙盤區的傳統「印章」雕刻裝置上刻有「翡翠觀唐」，與案名相呼應。 洽談區及水吧區設計以絢麗的紅、華貴的金為主色調，且運用了大量中國傳統元素。如中式的宮燈、如火的紅楓、蒼勁的迎客松、飾有龍紋的沙發等，鋪設出空間高雅秀逸的東方美。端景以中國傳統文化博大精深，設計採用最自然的姿態，凝練時光中的永恆，以藝術的方式表現出來。人文精神浸潤空間內外，淋灕盡致地展現出盛世的聲色風貌。
Book of Poetry – Minor Odes “Si Gan” Chapter: “Beast-like cornices, four pointy corners like arrows, eaves as majestic as bird’s open wings, raised corners resembling soaring storks; this is such a wonderful place to live.”
Looking at the external facet, the majestic manner, the solemn openness and resplendent colors is the charisma of the “Tang-Style” of the Tang Dynasty. It not merely depicts fixed characters, objects and signs, but also acts as the metaphor for the ancient Chinese thousand-year art life: Seeing other’s rays while believing in your own strength. For the front lobby, “a dougong structure that carries the Chinese classical architectural spirit and temperament, with small mountains as embellishment to weave traditional aesthetics into modern design”, the design is fused with rich oriental implications, with architectural culture of the Tang Dynasty as the spiritual blueprint, demonstrating the history and the contemporary. For the prototype model area, we have transformed the never-changing physical images of nature and ancient art into symbols. The traditional “stamp” carved installation in the prototype model area is engraved with “Emerald Guangtang”, which corresponds to the name of the project. The design for the discussion area and the bar area applied gorgeous red with resplendent gold as the main color tones, together with using a massive amount of Chinese traditional elements. For instance, Chinese-style palace lamps, fire-like red maples, green guest-welcoming pines, and sofas with dragon patterns etc., so as to layout the elegant and graceful oriental beauty of space. The design for the end view adopted the most natural posture based on the profound Chinese traditional culture, condensing the eternity in time to present it in an artistic approach. The cultural spirit fills the internal and external space, fully demonstrating the look of the heyday.