No extravagant decoration, but concise and delicate. Moreover, it emits conventional confidence and charm anywhere.
“Interior is extension of architecture”,which is the designer’s remarkable point.Architecture or interior shouldn’t exist respectively, nevertheless, they are complemented each other. Such understanding can explain the success of it. The whole building has three floors,the other two are VIP room,office and dining room besides the main exhibition area on the first floor.”Collaboration of inner and outer” leaves the design glamorous and attractive.In the beginning,the designer studied carefully Chinese Quadrangles (refered to Siheyuan here) at aspects of layout of architecture and characteristics of structure. Refined essential elements were brought out after this effort. Step into the sales&exhibition center by passing through a fixed waterscape entering the gate on the left of the frontal of the architecture. Settlement like this can better conform to grace and restraint and modesty of Siheyuan. The layout of interior space of this center was divided into mainly three parts-the reception desk on the middle, the negotiation area on the left and the exhibition area on the right. The three spaces exist respectively in artificial partitions. Independent but linked visually and mechanically. Architecture-based principle applied in interior design sparks tremendously.
As thematic element of the design, wooden grids let Zen shined permanently. Thin and straight columns ranked anywhere in the interior space imply honesty, inclusion, generousness, stability. Steel structure of the architecture conveys and extends such style combining with planted bamboo, evergreen trees and man-made waterscape. During the procedure, the designer was always convinced that the expression and transmission of tradition and culture not only depends on symbolized signs, but also portrayal and insight of inner quality experienced by people.