上境設計－許富居

此案為創意共享辦公空間，以具故事性的活動佈展後藝術字體廢棄物，透過幾何線性張力與框景的佈設手法，讓辦公空間與藝術得以轉換成一種現代簡約的藝術心境。
以火車站往來人潮川流不息及多元文化融合為意象發想，注入空間共享概念，大型藝術字體裝置辦公空間，象徵設施活化再利用與空間多元使用，賦予新的生命，導入非營利的建築與設計交流網站單位、產品研發、工藝產品設計及國際競圖佈展作品等軟件開發單位，突顯場域多元文化與藝術融合的價值。

許多看似不經意或冰冷的金屬結構，其可快速組裝安排空間的構成，而且透過許多網狀半透明的一個空間，可以作為作品或藝術品布置展室的使用。運用網格金屬立板，快速組構所需的空間，而且劃定初迂迴動線，無意中形成一種導覽的可能性。大面玻璃的沒有間隔的辦公桌椅，能夠快速組成多種不同的一個工作模式，不論製作模型、開會討論、繪圖或集體創作等綜合的運用。

以活化再利用具故事性及地區自明性的活動佈展後藝術字體廢棄物為設計發想原點，考量當時綠空藝術大字體設計初衷於考量火車站旅客往來、移工群聚等活動屬性，延續多元文化活動與佈展精神，導入創意設計開發單元，以空間本身的純粹美感結合與簡約工藝美學，顯現設施活化之現代工藝設計美學。

未來世代必當走向整合、共享與技術串聯的工作機制。以「創意共享」為空間發展主軸，思考如何活用因臺中火車站東移過程及其活動佈展後廢棄之大型裝置藝術字體設施，透過其流動、多元的場域自明特性，以資源有效利用的方式，融入辦公空間環境，作為創意設計空間的公共藝術及樓層安全圍籬，而大型藝術字體豐富的色彩美學，在共享辦公空間上配合整個色調的細節，以簡約溫潤木質辦公家具設施，靈活了使用需求，工業的線條鐵網框架及明亮玻璃分隔牆面除作為空間界線外，更允許從倉庫氣窗投射而進的自然光影在空間中流動。亮白的牆面做為競圖佈展的最佳展示牆體，冷峻的鐵框圍和了所留設大面積公共共享藝術交流空間，非營利設計交流網站及產品創意設計單位進駐，提高辦公空間多元人才交流，達到共享與永續的跨領域實踐。

This project is a creative coworking spaces. Reuse the obsolete letter installations from an exhibition and make use of the linear tension of geometry and enframed scenery technique, allowing the workspace and the art to transform to a modern and minimalist artistic ambiance. The design is inspired by constant flow of people going in and out of railway stations and multicultural integration, combining with the concept of space sharing. The big letter installations placed in the workspace give a new life to the space and they symbolize the reuse of facilities and diverse uses in the space. Introduce non-profit architecture and design website organizations, product research and development organizations, handicraft design organizations and exhibition organizations, revealing the value of multicultural and artistic integration.

Many iron pieces seem irrelevant or cold, but they can be assembled quickly and form a space. The semitransparent space with net can be used as a display room. The metal net plates are used to form a space needed immediately. The loop layout leads and guides people unintentionally. The large area of glass and desks and chairs without partitions make it possible to transform to different work patterns immediately, no matter it is for making models, meeting discussions, drawing or teamwork.

The letter installations were designed considering the activity factors such as passengers’ coming and going in the railway station and gathering of foreign workers. Be originally inspired by reusing the letter installations and considers the story and identity of the space, the designer includes creative elements to the design and continues the spirit of diverse cultural activities and exhibitions, combines minimalist aesthetics with pure beauty of the space, revealing modern design aesthetics with the reuse of facilities.

The future generations will move forward to a working mechanism with integration, sharing and technology connection. With “Creative Sharing” as the main theme of the design, the designer considers how to reuse the obsolete big letter installations because of the relocation of Taichung railway station and the termination of the exhibition. Considering the movability and identity, the designer incorporates the installations to the workplace as public art and fence of the space. The rich colors of the installation complement with the color arrangement of the space. Simple and gentle wooden furniture are used, available for different needs. Industrious iron frames and transparent glass partitions not only work as the boundary of the space but also allow the transmission of light and shadow from the windows. The bright white wall is best for exhibitions. The cold iron frames form a large area of public and shared art discussion space. The occupation of on-profit design website organizations and product creative design organizations improves the diversity of the workspace, achieve the goal of sharing and sustainable cross-industry discussion.