上境設計－許富居

1617是一千六百個用心建築的日子。1617是一分土地，六成生活，七分公益。

文心森林公園之於台中市政中心專用區，猶如中央公園對於紐約市區的意義。是文教薈萃的精華區，是大都市中難得的完整綠地，是都市的綠色之肺。面對森林公園第一排，建築量體計畫時拋棄最大室內面積的三幢高樓建築量體的配置，而改以釋放60%土地成為開放空間，鄰接公園綠地，擴大都市生態跳島的效益。以最低衝擊土地開發方式，建立友善環境地基地配置，留設大面積開放空間供給使用。運用動線轉折視線導引的方式，以蜿蜒流水與叢聚錯落的複層林帶，讓行經者體驗曲水過小橋，伴隨溪水的自然聽覺，遇見老樹斜臥溪水上，走進建築柱廊、室內等空間相互連結、借景，點出綠景的層次與設計的鮮明感，以人文藝術生活感作為整體的特色，使庭院景觀與森林公園對話，情景交織。 

迎接公園及大型量販IKEA人潮的街角，寬闊的廣場中心是多面菱形金屬組構的公共藝術品，地面反色金屬反應出雕朔上的彩繪，白天猶如萬花筒般的色彩繽紛變化夢幻，在夜間具有另外一種特殊的浪漫氛圍，為街道帶來另外一種風情。穿越過廣場，沿著桂花步道跨過小橋流水到達後院，靜靜坐在發呆亭中或下午茶亭，欣賞流水落瀑。或者可以逕行漫步三重綠蔭的落羽松林街區步道，高大的樹冠、修長的樹幹修飾出深遠的空間感，使人漸緩步伐，入勝松景。而落羽松在入秋、冬季後葉色轉為橙褐，沿街景色更增添強烈的季節感，創造雙橡園獨特的地景風貌。

落羽松大道的中間廣場就是社區大門入口，流水意象增添了門廳的活潑感受，高大健碩的桂花傳來淡淡幽香，本地原生樹葡萄傑出累累果實，艷紫果粒誘人垂涎欲滴，誘人摘取引用也又引都市鳥類前來啄食。沿街步道上三處口袋空間，布置水池與街道家具，點綴出遊賞庭院的序曲，以水流引導庭院賞覽的步調，在水源處多以大型喬木點綴，樟樹、大落羽松與櫸木等植栽圍繞，河津櫻、紫薇、梔子等喬木零散四周邊緣，植物高低層次錯落，使庭院呈現韻律起伏的姿態，富有詩意輾轉。

庭院中段的喬木則以整體上的豐富色調為主，以糖楓、富士櫻、山馬茶和流蘇等喬木，點綴出鮮豔的白、紅兩色，綠與光影繽紛，水域中另活舖有燒面石板平台，營造日式庭園的氛圍，亦可以在此創造出休憩的可能性，大片石板平台濱臨水畔，讓建築材料、自然石材得以相融，無形中展現出建材與景觀植物的細緻。

縱貫全案，釋放全基地將近70%的土地最為綠化及公眾使用，以整體街角景觀空間開放，使視野開闊、清晰，將藉由公園引景，流水穿梭，既開放又具富饒趣味，庭院遊賞動線不再只是向內自賞，為都市生態串聯貢獻己身。也應由此配置邏輯，創造社區單元各戶，亞熱帶氣候台灣最適宜的坐落南向的住宅單元，戶戶面對公園大面綠地及舒適微氣候。藉由如此敷地量體配置策略及景觀的庭院遊園設計手法，創造都市建築開發、住宅生活微氣候調整及都市生態品質優化的多方贏家局面。

1617 is 1,600 days of careful construction. 1617 is 10% of land, 60% of life, and 70% of public welfare.

Area of the forest park is Wen-Xin Forest Park is in the Taichung Civic Center dedicated area, just like the significance of Central Park to New York City. It is the essence of culture and education, a rare and complete green space in a metropolis, and the green lung of the city. Facing the first row of the forest park, the volumetric configuration of the three high-rise buildings with the largest indoor area was abandoned during the building volume plan, and 60% of the land was released as open space, adjacent to the park green space, and expanded the urban ecological island-hopping benefit. With the lowest impact land development method, establish a friendly environment base configuration and leave a large area of ​​open space. Using the method of turning the line of sight to guide, the multi-layered forest belt with winding water and clusters allows the passerby to experience the curved water across the small bridge, with the natural hearing of the stream, meet the old trees lying on the river, and walk into the building colonnade spaces such as, interiors are interconnected and borrowed from the scene, highlighting the level of green landscape and the distinctive sense of design, with the humanistic and artistic life as the overall feature, making the courtyard landscape and forest park dialogue and scene interweaving.

On the corner of the street welcoming the park and the crowds of large-scale IKEA, the wide square center is a public artwork composed of multi-faceted diamond-shaped metal. The anti-colored metal on the ground reflects the colorful paintings on the carvings, and the colorful changes in the daytime are like a kaleidoscope. Another special romantic atmosphere brings another style to the street. Cross the square, walk along the sweet-scented osmanthus trail across the small bridge and flow to the backyard, sit quietly in the daze pavilion or afternoon tea pavilion, admiring the waterfall. Or you can walk along the trails in the triple-shaded deciduous pine forest block. The tall tree canopy and slender tree trunks decorate the profound sense of space, making people slow down and enter the pine landscape. In autumn and winter, the leaf color of Larix sylvestris turns to orange-brown, adding a strong sense of season to the scenery along the street, creating the unique landscape of Double-Oak Garden.

The middle square of Yakyu Pine Avenue is the entrance to the community. The image of flowing water adds to the lively feeling of the hall. The tall and strong sweet-scented osmanthus has a faint fragrance, the local native vine grapes are outstanding and numerous fruits, and the bright purple fruit is attractive and attractive to pick. Quoting also drew urban birds to peck. There are three pocket spaces on the promenade along the street. Pools and street furniture are arranged to embellish the prelude to the courtyard. The flow of the water guides the pace of the courtyard. The water source is mostly decorated with large trees, surrounded by camphor trees, big barks, and beech trees, Hejin cherry, crape myrtle, gardenia and other trees are scattered around the edges, and the plants are scattered in high and low levels, making the courtyard present a rhythmic and poetic posture.

The arbor in the middle of the courtyard is dominated by rich colors as a whole, with sugar maple, Fuji cherry, mountain horse tea, tassel and other arbor, dotted with bright white and red colors, green, light and shadow, and other lively paved waters. The burnt-faced slate platform creates the atmosphere of a Japanese garden, and can also create the possibility of rest here. The large slate platform is next to the water, allowing building materials and natural stones to blend together, invisibly showing the meticulousness of building materials and landscape plants.

Throughout the entire project, nearly 70% of the entire site’s land is released for greening and public use. The overall street corner landscape space is opened to make the field of vision broad clear. The park will guide the view and the flowing water will flow through, which is both open and fun. The courtyard traveling tours are no longer just inward self-appreciation and a contribute to the urban ecological connection. The logic should also be allocated from this to create a community unit for each household. The subtropical climate in Taiwan is the most suitable south-facing residential unit, where each household faces the park’s large green space and comfortable microclimate. With such a land mass allocation strategy and landscape courtyard garden design techniques, it creates a win-win situation of urban architectural development, residential life microclimate adjustment and urban ecological quality optimization.