環氧樹脂創作新突破

德國當代藝術最具代表性的藝術家之一——彼得・辛莫曼（Peter Zimmermann）

自1980年代的「封面繪畫」系列至90年代環氧樹脂抽象繪畫創作，再到2000年的油畫系列，辛莫曼不斷把自己置於極限之外創造新的可能，其中對於環氧樹脂媒材上的專研，以及抽象畫面的解構與再造，使其儼然已成為當代環氧樹脂創作的最佳代表人物。
From the “Book Cover Painting” series in the 1980s to the epoxy abstract painting a decade later to the oil painting series in 2000s, Peter Zimmermann, one of the most representative artists of German contemporary art, persistently goes beyond the limits to create new possibilities. His research on epoxy, together with the deconstruction and reconstruction of abstract images, make him the front man of coeval epoxy creation.

。極｜Pole，2018，環氧樹脂｜epoxy，90 x 70 cm｜35 x 27 inches

。大理石｜Marble，2018，環氧樹脂｜epoxy，60 x 45 cm｜23 x 18 inches

。異｜Iso，2017，環氧樹脂｜epoxy，100 x 200 cm｜40 x 80 inches

本次展覽的環氧樹酯是辛莫曼在創作生涯中的最新突破，在多年的研究後，他選擇加入白色環氧樹酯讓畫面多層次的交疊後以留白收場。白並不會使其他顏色變淡，反而因為另外一層的白加入多色繽紛的平面，讓其想創造的無界限如同北極、海洋的景觀一般壯闊呈現。
The epoxy from this new collection is the breakthrough of Zimmermann’s career. After years of research, he chose to add white epoxy to make the multi-level overlap has a white finish. However, this white finish does not cancel out the other colors, but instead, adds a multi-colored plane creating a limitless landscape similar to the Arctic and the ocean.