古典與現代的交點——安藤忠雄《皮諾私人美術館》
建成於十八世紀的巴黎證券交易所（the Bourse de Commerce）如今搖身一變，成為法國奢侈品公司開雲集團（Kering）總裁Francois Pinaultk的私人美術館，而建築的修復工程則請到了日本建築大師安藤忠雄（Tadao Ando）操刀。
Formerly an 18th-century stock exchange building, the Bourse de Commerce–Pinault Collection, a Parisian museum, has been given a contemporary redesign by seminal Japanese architect Tadao Ando.
這種新古典時期的建築在歷經了三年的整修之後，終於在2021年的五月向大眾展示了其迷人的全新風貌。最大的工程包括了在其圓形大廳建立起一座九公尺高的圓柱形混凝土牆，用以展示近五千件的藝術品，並加強了這座歷史建築的令人著迷的時代特徵。
The neo-classical building has reopened after a three-year restoration, which involved constructing a nine-meter-tall cylindrical concrete wall at the center of its rotunda, to house some 5000 artworks and to enhance the historical building’s charming period features.
建築物本身的結構保存得非常完整，新建設的混凝土柱體插入圓形大廳的中間，保留了建築物本身的玻璃圓頂，將古典與現代的建築語彙共同交織出全新的風貌。在屋頂的內側，一幅十九世紀的壁畫橫跨了屋頂內部，沿著盤旋著柱體而上的階梯，跨越不同的樓層，觀者在空間中的任何角度都能欣賞美好的壁畫，彷彿又更近一步靠近了天空的顏色。
The architectural heritage of the building was left intact, with the new concrete volume inserted within the walls of the glass-domed rotunda. On the inside of the roof, a 19th-century mural spans the entire length, which viewers can see from within the new concrete space. It connects to the floors above and below by geometric concrete staircases that encase its circular form.
商業空間收藏放法國億萬富翁、開雲集團總裁皮諾（François Pinault）的私人當代藝術收藏品，以極其巧妙的方式展示了不同建築時代的和諧共存。或許藝術與美，才是人類跨越時間與空間障礙的共同語言。法國設計師Ronan and Erwan Bouroullec為皮諾私人美術館設計了一系列的傢俱，不僅適用於室內空間的，更包括了在周邊戶外空間所用到的。
The commercial space houses the contemporary art collection of French billionaire François Pinault, in a harmonious display of differing architectural eras. French designers Ronan and Erwan Bouroullec created the Bourse’s furniture, which includes outdoor street furniture surrounding the building’s exterior.
Images: Maxime Tétard
Woeds: Stephanie Wade
Source: Ignant
